Tablet Weaving Resources |
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Information and sources I've put together from the web. |
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Bibliography of Sources on Period Tablet Weaves Bibliography of Sources for Information on Period Tablet Weaves. |
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Braid Weaving There were many ways of weaving narrow fabrics for girdles, leg bindings, borders, and decorative braids. We can say little about the looms, for if their warp was stretched between the weaver's belt and a tree or table leg there would be no archaeological trace. | |||
Card Weaving Study based on the book, Card Weaving by Candace Crockett This study group originated from Compuserve's Fiberarts Forum. All you need is Candace Crockett's book Card Weaving, some 3/2 or 5/2 cotton, and at least 25 cards (tablets). By following the book and suggestions here, you will, depending on your level, learn to card weave and/or comprehend the technique so that you are comfortable with it and can create your own designs. | |||
Guntram's Tabletweaving Page Actually, my name is not really Guntram, that's just what I am called in the Society for Creative Anachronism, which is where I got started on tabletweaving. | |||
Herveus' Snartemo Pattern A more advanced pattern. | |||
The History of Tablet Weaving Tablet weaving, also known as Card Weaving, was the name given to a technique used for weaving decorative bands throughout Europe from the time of the great Roman Empire up until the 16th Century. | |||
Intermediate Tablet Weaving: Figured Double-Face Weave This document was originally written as an instructional pamphlet. It was first distributed at a class I taught during a session of East Kingdom University on 2 May 1992 in the Shire of Quintavia, East Kingdom. | |||
Linda Hendrickson’s site Welcome to my web site, which is devoted to sharing what I know about tablet weaving and ply-splitting, and to helping children and adults appreciate and practice these techniques. | |||
Patterns A few patterns to try out. | |||
Phiala's String Page This page was originally created as a way to make my class handouts available to more people. It's grown a bit: this page now contains how-to information, photographs and resources lists for a wide variety of textile techniques. | |||
A Saxon Threaded-In Tablet Weave Much tablet weaving in the Known World involves "threaded-in" patterns. That is, the pattern, generally a repeating geometric, is selected in advance; then the cards are threaded such that turning in a prescribed order (continuously forward, or four forward, four back, for example) results in the pattern automatically appearing. | |||
Spinning Jenny's Tablet Weaving Page Examples of work. | |||
Tablet Weaving Tablet weaving is a technique for combining warp and weft threads to form a fabric and uses tablets or cards punched with holes to form the shed. If you find this confusing, ignore it and keep going. All will be made clear in time. | |||
Three Recipes for 14th- and 15th-Century Tablet Weaving This article gives recipes for three tablet weaving techniques that have been dated to fourteenth- and fifteenth-century England. They are based on analyses made by Elisabeth Crowfoot of Braids 449, 450, and 423 catalogued in the Museum of London (see below for citation). Depending on the size of thread or yarn you use, these recipes can produce impressive hair fillets, belts, baldrics, spur straps, ribbons, and the like. | |||
Toli's inexpensive inkle/cardweaving loom design The loom looks a lot like your regular inkle loom except it has two sides. The sides are made by cutting a cheap particle board shelf into two symmetrical parts. A hardwood board can also be used, but that kind of negates the part about being inexpensive. | |||
Viking Woman’s Apron Dress Instructions on how to make a Viking woman's apron dress. | |||
Viking-Style Tablet Weaving: Birka Strapwork Motif The motif for this tablet-weaving "recipe" is based on a Viking Age brocaded tablet-weaving pattern found on Bands 22 and 23 at Birka, Sweden. Based on both the number of finds of brocaded tablet-weaving finds and the total weight of metal brocading weft found at Birka, this was the trim pattern most commonly represented in Birka's Viking Age burials; its popularity spanned the ninth and tenth centuries. | |||
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